The key change in the middle of the second verse is an interesting attention grabber. On the homestretch you have No Warning, yet another number, ostensibly about relational take it or leave it. This is a flavorful rock song with staying power and may end up being one of the band’s signature tunes for years to come. The chiming guitar behind the chorus offsets the melancholy vocals.
Smolian gets about a half beat ahead of Coverstone in the verses, seemingly daring him to keep up. Nowhere is this more evidenced than in Gypsy, which begins with a triple-time march beat, and is joined by a gallivanting riff. They have struck a balance right in between overplaying and underplaying.
Smolian gets right in the pocket with Coverstone and Notto, providing the occasional harmonic accents. The drumming is alive and serves the songs, with no unnecessary fills. Every song here is based on a tight and savory guitar riff. There is no showing off from any of the band members.
#Dirty song rating how to#
The entire batch is a study in how to make rock songs. The latter of those two introduces background singers and culminates with LaBelle sparring with them, in an a cappella exhibition of his silk covered rasp vocalization. The Wire and Tied Up will tickle your listening bone with tales of romantic woes.
#Dirty song rating full#
This collection is full of what you would expect as a follow up to their 2019 EP. It is a good lead in for an octad of well-crafted and tastefully performed rock songs. It’s no wonder why they selected this track to be the first tease for the record. band to open their debut, full-length record than with a tune called California Dreamin’? Unless you’ve been completely out of touch for the last several weeks, you’ve probably heard this one with its riding groove from Coverstone and the raunchy inside out riff from Notto. Mark the date, April 23, 2021, that’s when you can lay your hands on this brand new batch of tunes. For Corey Coverstone, Marc LaBelle, John Notto and Justin Smolian, it seems as though there was just no more keeping this cow in the barn any longer. For the enterprises that are on an upward trajectory and in demand for the festival circuit and general touring, the uncertainty of in-person performing to support a new recording is speculative. In the post lockdown environment, there has been a lot of music released by bored musicians with nothing to do but produce a side project or two, with no intent to tour around it. Since the world went to hell and along with it, the sudden halt to live shows, there has been a void of sorts. The wait is almost over for all of those who have been pining for new music from Dirty Honey.
0 kommentar(er)
